"Sound doesn't live in tension.
It lives in intention."
Ares Tavolazzi has fifty years of craft and only one rule for the double bass: trust your body, not the textbook.
Subtitles available in 🇮🇹 🇺🇸
When you play the double bass and feel like your body just won't cooperate.
If at least one of these sounds familiar, this course was made for you.
Your hand feels stiff on the fingerboard.
Your fingers keep falling into the same positions. On stage you move within four phrases you already know. And when you try to break out, your bowing hand tightens up, you strain your tendons, and you're out of action for a week.
There's a voice in your head.
It's the obsessive urge to do, and do, and do. Pushing yourself to force technique just to feel like you're making progress. The result: tendinitis, lockup, a bowing hand working on empty, and zero sound that actually convinces you.
The problem isn't technique.
It comes before technique. Ares calls it "staying close to the instrument." It means: sound doesn't come from the force you put in, it comes from the relationship between your body and the wood in front of you. Without that, any fingering sounds hollow.
*"A simple major scale, but inside it there's a treasure."* (Ares Tavolazzi)
Ares Tavolazzi

What actually changes when you play.
No vague promises. Results you feel when you play.
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You stay with the instrument, you don't fight it.Posture, breath, a relaxed bow hand. You come up for air, stop straining your tendons, and start feeling the wood vibrate instead of your hand pushing against it.
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You see a major scale as a treasure, not a drill.Alternative fingerings, intentional fragmentation, leaps of thirds, sixths, fifths. You stop walking pre-built paths and start drawing your own map.
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A jazz standard as a compass, not a ball and chain.Dominants, tonal centers, symmetries. A detailed breakdown of "All The Things You Are." You understand where the tune is going, stop reacting on instinct, and start leading.
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You build the walking bass line on paper before you touch the instrument.Paper, pencil, erasures. Ares's anti-shortcut ritual. You memorize the tune, see the paths, and by the time you hit the stage you've already walked through the structure.
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Real exercises, indexed by key and difficulty level.Straight from the course booklet. Every exercise tells you where it fits, what it trains, and how demanding it is. Not YouTube clips, but material built by someone who has been playing and teaching for fifty years.

8.778+ musicians study on Musicezer
Course reviews — here's what those who've already taken it have to say.
Two real excerpts from the course
To hear how Ares explains, plays, and demonstrates.
If the quality of these few minutes convinces you, imagine two full hours.
Eight lessons. One owner's manual.
It's not a method for beginners. It's a problem-solving manual for those who already play double bass or electric bass and want to understand what's really holding them back, beyond technique.
8 lessons - 2+ hours - 25 indexed exercises - PDF booklet in standard notation

Who this course is for. And who it isn't.
Start here: DOUBLE BASS MASTERY – Jacopo Ferrazza →
You need: BIG BASS THEORY - Giorgio Terenziani →
Study with Dario: MY WAY, JAZZ BASS FROM TECHNIQUE TO CREATIVITY – Dario Deidda →
Fifty years of craft, packed into eight lessons.
One-time payment, lifetime access, thirty-day guarantee. No subscriptions.

Fifty years of craft, and one thing to teach you

Bass player for Area, a landmark session player in Italian popular music, and jazz double bass teacher.
- Bass player of Area, the band that changed Italian progressive rock
- Session man for Guccini, Dalla, Conte, and other giants of Italian songwriting
- Fifty years of craft between the studio, the stage, and the conservatory
- A language that moves across jazz, fusion, and Italian singer-songwriter music
- A recognised jazz double bass teacher, voice of an anti-dogmatic school
Three things that make this course different
Teaching direction
Shots chosen by videomakers who are also musicians. A direct approach, with no production filters between you and the instrument.
PDF Booklet
All the exercises from the eight lessons in standard notation. Print it, mark it, write on it.
From paper to instrument, the way Ares does.
Lifetime access
One-time payment, no subscriptions, no expiry dates. Watch the course again in five years, just like the first time.

Everything you receive when you join the course
One-time payment. Lifetime access. No automatic renewal.

Course booklet, in standard notation
All the exercises from the eight lessons, organised by module, with key, difficulty, and teaching theme marked. Print it, write on it, build your walking bass.
39 EURThirty days to truly try it out
If you complete the first four lessons, do the assigned exercises, and see no measurable changes in the way you play your instrument, we'll refund you. Everything. We want you to take the course seriously — we don't want your money if the course doesn't truly work for you. This is a guarantee that asks for commitment on your part, and that's exactly why it means something.
Questions we receive before purchase
The next step after Tavolazzi

DOUBLE BASS MASTERY – Jacopo Ferrazza
Once you understand how to be with the instrument through Ares, Ferrazza takes you to the next level: a structured method from A to Z, with a systematic path through modern jazz double bass.
€139Oppure: MY WAY, JAZZ BASS FROM TECHNIQUE TO CREATIVITY – Dario Deidda — The other course by Ares Tavolazzi →













